Waves Audio Launches eMotion LV1 Classic: Compact Console, Big Sound

Waves Audio has unveiled the eMotion LV1 Classic, a fully integrated live mixing console that marries studio-grade sound quality with a familiar console-style form factor. Debuted at InfoComm 2025, the LV1 Classic aims to redefine live sound mixing by offering high-end features in a compact unit.

With 64 stereo channels, 44 stereo buses, and 16 onboard Waves Signature Preamps, the LV1 Classic brings together the same double-precision 32-bit floating-point mix engine used in GRAMMY®-winning productions – now housed in a physical console engineered for intuitive, fast-paced live workflows.

“We are excited to introduce the eMotion LV1 Classic console, making Waves’ sonic capabilities and tools accessible for all in a familiar yet innovative form factor,” said Yaniv Litmanovich, Senior Product Manager at Waves. “This robust yet compact desk blends all Waves audio and UX expertise, marking a new era in Waves’ product offerings for the live sound industry.”

Bringing Software Power to Hardware Form

Until now, Waves’ LV1 system has existed as a modular, software-based solution favored by touring professionals and broadcast engineers alike. The Classic version offers the same audio fidelity and processing power, but in a single, integrated hardware package. The console’s 21.5-inch multi-touch screen and 17 newly designed 100mm faders are paired with a Quick-Access UI for seamless operation. Operators can also tailor the control surface and screen to fit specific use cases, from FOH to broadcast or house-of-worship environments.

Notably, the console’s 16 preamps boast fully discrete analog circuits, giving users the option to toggle between transparent signal capture and rich harmonic coloration. Expansion options include Waves’ own IONIC stageboxes, ensuring consistency in audio quality across complex setups.

One of the LV1 Classic’s standout features is its built-in suite of 16 Waves processors. Users can deploy industry staples like F6 Dynamic EQ, Waves Tune Real-Time for pitch correction, and X-FDBK and PSE for feedback and mic bleed control. Additionally, the desk allows up to eight plugin inserts per channel—input, group, or bus—giving engineers granular control over signal processing.

The console also integrates seamlessly with Waves’ growing plugin ecosystem of over 160 live-optimized plugins, including emulations of classic SSL, API, and Abbey Road hardware. For immersive monitoring, the LV1 Classic supports the new eMo IEM plugin, enabling in-ear mixing without the need for external routing or gear. Performers can even control their own monitor mixes via the LV1’s MyMon mobile app.

Despite its comprehensive feature set, the LV1 Classic weighs in at just 38 lbs (17.2 kg) and fits within commercial airline baggage limits, making it ideal for touring professionals. It can serve as a standalone system or scale up into multi-console configurations spanning FOH, monitor world, and broadcast.

The console supports up to 14 SoundGrid-compatible I/O devices, including Dante and MADI convertors, further enhancing its flexibility in complex setups.

Ken “Pooch” Van Druten, FOH engineer for Iron Maiden and Jay Z, played a key advisory role in the LV1 Classic’s development. “I’m proud to have advised on the workflow architecture of this great console,” he said. “It is intuitive, the new build is robust, and above all I’m continuously amazed by the console’s incomparable sound.”

Jeff Sandstrom, FOH engineer for Christian artist Chris Tomlin, echoed that sentiment. “LV1 Classic is the perfect solution for churches in need of uncompromising sound fidelity, accessible workflow, and powerful processing… all in a compact form factor.”

With the LV1 Classic, Waves has created a mixing desk that appeals to both audio purists and hands-on engineers across touring, broadcast, and worship sectors. By merging high-end processing with tactile hardware and portable design, the company is signaling its intent to properly enter the integrated console market.

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